Tag Archives: deviant behavior

HB2: Legislating Bigotry

by Jay Parr

Last Wednesday, March 23, the North Carolina General Assembly convened in its Second Extra Session of the 2016 legislative yearan “emergency” session, with the request for that session and the proclamation that it would be held both filed by the clerk only one day before. The session convened at 10:00 AM, and a new bill was introduced in the state house of representatives. It was debated and amended and passed in the span of five hours, the final vote taking place at 3:04 PM. From there it was passed on to the state senate, where it passed its final vote a little over three hours later, at 6:29 PM. Forty-five minutes after that, at 7:14 PM, Governor Pat McCrory tweeted that he had signed it into law.

HB2-McCrory-tweet

That law takes effect today, April 1, 2016. April Fools’ Day. There’s probably some joke about putting such misguided legislation into effect on this, of all days, but you can rest assured that this post is not an April Fools’ Day prank.

buck-angel-crop-500

I’m the first to admit that I understand very little of what Governor McCrory or the NC General Administration has done in recent years, so it was no surprise to me to learn that they had done something else I found totally baffling. I was, however, a little surprised that they had convened an emergency session to do something I found totally so baffling about something that was so far from an emergency. McCrory’s next tweet, two minutes later, purported to provide something of a justification.

HB2-McCrory-tweet2

The “Ordinance” to which McCrory refers here is a nondiscrimination ordinance that was set to go into effect in Charlotte today, which would have added “marital status, familial status, sexual orientation, gender identity, [and] gender expression” to the list of protected statuses in such areas as housing and employment, and would have implicitly allowed transgender people to use the restroom facilities best corresponding to their gender identity. That is, it removed the old verbiage more or less requiring this transgendered woman to apply her lipstick in the bathroom with the urinals behind her.

brae-carnes-lipstick-sm

As an aside, I found it interesting that both of McCrory’s tweets used precious characters to invoke the word “bipartisan.” That emphasis prompted me to go look. What I found was far from anything I would describe as bipartisan. The representatives calling for the special session were all Republican, with every Republican representative except one (Chuck McGrady of Henderson) joining the call. No Democrat called for it, nor did NC’s one unaffiliated representative. The thirty-six sponsors of the bill, including the four primary sponsors, were all Republican. In the House vote, every Republican representative got in line with an aye vote. Most of the Democrats and that one unaffiliated representative voted nay. When the bill came to a vote in the senate, the entire Democratic side of the aisle walked out in protest. That bears repeating: Every single Democratic state senator walked out of the senate vote in protest. There were, however, eleven Democratic representatives back in the house, mostly from relatively conservative rural districts, who for some reason or another voted aye. I guess those eleven votes are where McCrory gets his claim that it was “bipartisan.”

HB2-comments-silenced2-edit

While we’re unpacking those tweets, let’s take a look at McCrory’s phrase about the Charlotte ordinance, “allowing men to use women’s bathroom/locker room.” If you read the ordinance deemed so objectionable as to warrant an emergency session of the state legislature, the only relevant language (on p.4, under Section 3) is as follows:

“It shall be unlawful to deny any person the full and equal enjoyment of the goods, services, facilities, privileges, advantages, and accommodations of a place of public accommodation because of race, color, religion, sex, marital status, familial status, sexual orientation, gender identity, gender expression, or national origin.” (PDF)

That language does replace some language specifically excluding “[r]estrooms, shower rooms, bathhouses and similar facilities which are in their nature distinctly private” (the struck-through language on the PDF), but it’s a bit of a stretch to portray it as opening the door for me, as a cisgendered male, to pull on a dress and go lurking about in the ladies’ room.

But that’s the bogeyman that was invoked. This guy. Lurking in the bathroom. Waiting for your wife and daughter.

uncle-wears-cinderalla-dress

For the record, that guy’s at a movie with his young niece, who wanted to wear her Cinderella dress but was worried about being teased, so he dressed up in a Cinderella dress along with her. That guy has more cojones than the entire NC General Assembly combined. But I digress.

McCrory’s tweet only works if you define a transgendered woman as a “man.” The only way to define a transgendered woman as a man is to completely ignore the complexity of sex, assigned sex, gender, gender identity, and gender expression. That is, to define a trans woman as a man, you have to insist that one’s gender expression is always dictated entirelyand solelyby the contents of his or her first diaper. You have to insist that sex=gender, always, and without exception, and you basically have to insist that your [sex=gender] equation is always binary, male or female, and deny the existence of intersex people. It’s a slippery slope, even if you dictate your definitions entirely by biology. I give you Pidgeon Pagonis, one of the hundreds of thousands of Americans born neither entirely male nor entirely female, but basically a little bit of both.

pidgeon-pagonis-intersex-activist-edit

Of course, we as a culture have a history of being threatened by exceptions to binary gender. We revile people who do not conform to the gender norms of their assigned sex, and we take it so far as to view a stay-at-home dad as a worthless freeloader and the career-oriented mom who supports him as a heartless, distant, and probably unfit mother. And that’s a couple that is entirely heteronormative. A woman born male, or as she is more commonly described, a “man who wants to be a woman,” just gives Americans the willies. We are so attached to the notion of binary gender that when a baby is born intersex, our first cultural and medical impulse is to subject that baby to “corrective” surgery, to “fix” those nonconforming genitals, and we continue to do so despite the fact that those surgeries are literally a form of genital mutilation, and despite overwhelming evidence that it is both medically and psychologically damaging to the child, and to the adult that child will become. With a background like that, it’s no wonder that certain segments of our population panic at the notion of “penises in women’s rooms.”

adam-plant-fb-edit

But let’s talk for a moment about the utter paucity of evidence indicating that any transgendered person anywhere in the United States has engaged in sexual misconduct in a public bathroom, let alone sexual harassment or predatory misconduct toward a cisgendered victim. You have most likely shared a public restroom with a transgendered person on at least one occasion and never knew it. In fact, despite there being some seven thousand transgendered people for every US senator in the country, you’re more likely to be groped by a senator.

bathroom-misconduct-cap

There is, on the other hand, ample evidence of transgender people being harassed, assaulted, and even killed for using public restrooms. Reliable statistics are hard to find, because many law enforcement agencies have only recently begun tracking gender nonconformity as an impetus for hate crimes, but the vast majority of transgender people report having been harassed and bullied, often in bathrooms, usually beginning as early as elementary school. Many have feared for their lives. Many have been physically assaulted. Too many have been killed. To quote an article that appeared in the scholarly journal Aggression and Violent Behavior a few years back:

“[S]ources indicate that violence against transgender people starts early in life, that transgender people are at risk for multiple types and incidences of violence, and that this threat lasts throughout their lives. In addition, transgender people seem to have particularly high risk for sexual violence.” (14.3, pp 170-179)

trans-stats

According to FBI hate-crime statistics for 2014 (which was only the second year gender identity was tracked), “the number of violent crimes motivated by the victim’s gender identity tripled from the year before” (ThinkProgress). Now, we can attribute that jump to a system that’s just starting to track those statistics, but if we go over to the US Department of Justice’s Office for Victims of Crime, we find this little gem about how safe any trans woman really is anywhere:

“50 percent of people who died in violent hate crimes against lesbian, gay, bisexual, transgender, and queer (LGBTQ) people were transgender women[…]. Sexual assault and/or genital mutilation before or after their murders was a frequent occurrence.” (ovc.gov)

Let’s break that quote down a little: Transgender women, who account for maybe five percent of the LGBTQ population, account for half of those killed in hate crimes. Oh, and they’re likely to get raped and/or mutilated in the process. No wonder Madeline Goss doesn’t want to go in the men’s room.

madeline-goss-text

Meanwhile, over in the ladies’ room, the women who are supposed to be “protected” by this law are now legally required to share it with this guy.

sheffield-tweet-screencap

Sheffield’s tweet went viral, and while he admits that “It’s super funny to think about some bearded hillbilly in a stall next to the governor’s wife while she clutches her pearls,” the reality of the situation is actually a lot darker, and a whole lot more dangerous for the trans person.

“I can follow the law and go into the women’s room in a state that’s a Stand Your Ground state with a very liberal open carry law, and if I do that, are women gonna stop and ask me if I’m trans? Or are they just going to shoot me because they think I really am a predator because all they see is some bearded guy walking into the women’s room?” (Mic)

Now, this is a guy who can pass comfortably as a cisgendered man, so in reality, he can most likely continue to use the men’s room (in a closed stall, of course) and no one will be the wiser. But what about all the transgendered folks who are early in transition and don’t pass comfortably as either binary gender? What about the genderqueer folk who aren’t comfortable on either side of the gender binary, or the intersex people who don’t biologically fit into either side of the gender binary? Heck, what about the men who just plain have a really feminine physicality? Or the women who just have a really masculine one? Is it justice to force these people into an artificially imposed binary? Is it justice to force them into the room where they are exponentially more likely to be harassed, bullied, assaulted, and even murdered? All so we heteronormative cisgendered folk can avoid maybe being a little uncomfortable? I mean seriously, which bathroom would you have this person use?

androgynous-harmony-boucher-500

Let us not forget that transgender people are already a threatened demographic. Reliable statistics are hard to nail down, because the population has been largely ignored by law-enforcement agencies and social-science researchers alike, so the numbers that are available are usually self-reported and from relatively small sample sizes, so they tend to have wide margins of error. But what they do tell us without a doubt is that most transgender people experience harassment and bullying, usually beginning at a young age, and often coming from figures of authority. They tell us that somewhere around half of transgendered people are rejected by their own families. They tell us transgendered people are orders of magnitude more likely to be homeless, or to be denied basic services, or to have significant mental health issues such as major clinical depressiongee, I wonder whyand that somewhere between one third and one half of all transgender people have attempted to commit suicide at some point in the past.

Trans-life-line-post-photo

If you need something a little more personal than statistics, and if you feel like watching a brilliant movie that’s admittedly a little hard to watch, pop over and check out Boys Don’t Cry (1999), starring Hilary Swank in what is arguably her best acting turn ever, as 21-year-old trans man Brandon Teena, who was raped and murdered in 1993 when his cover was blown (Wikipedia). Here’s a trailer that links right to the full-length film.

The McCrory administration and the General Assembly don’t seem to have sought out any of these statistics, or to have considered the impact their actions would have on an already-marginalized and endangered population, before springing into action. Instead, they seem to have done just as they did with Amendment One a few years ago. In yet another decidedly anti-intellectual action, they seem to have acted on ignorance, out of irrational fear of an unsubstantiated bogeyman, to protect a privileged class from having to potentially step outside of their comfort zone a little, and in the process, throwing an already underprivileged classof folks people who are already marginalized by society and by the legal systemunder the bus.

andrea-billings-fb

As for McCrory’s rhetoric of the Charlotte ordinance “putting our women and children at risk,” that sounds to me like a thinly-veiled version of Hermann Goering’s “[T]ell them they are being attacked” tactic. After reading some other analyses of HB2, I’m also not entirely certain to what extent the whole mishegas was about some of the other powers that were quietly wrested from the municipalities and consolidated at the state level, such as the authority to determine the terms for public-bidding contracts or to set local a minimum wage. We don’t have space to explore those details here.

amazon-villagers-bathing-sm

Looking at this issue from a more global perspective, I have to point out the fact that all-gender toilet and bathing practices have been common throughout much of the world and throughout much of history, and at levels of social organization ranging from nomadic bands to advanced state-level societies. In much of the world men and women and children, young and old alike, have bathed and do bathe in common, communal spaces, and have and do use common, communal toilet facilities. In some cases those are little more than latrines. In some cases they are advanced bathroom facilities that are designed from the ground up to be shared by members of either (or any) gender. They are almost universally a safe space, policed by the guidelines of community etiquette and often by an additional subset of bath- or toilet-specific etiquette, and they are almost never a space marked by heightened sexual energy, harassment, or bullying.

unisex-public-toilet-china

If we could adopt attitudes more like that in the US, it would certainly take some of the angst out of this who-uses-which-bathroom issue. Unfortunately, I don’t see that happening anytime soon. We’re too steeped in our puritanical taboos about any sort of bodily functions, and our insistence on equating any level of nudity with sex, and our amazingly strong cultural taboos about sexuality and sexual expression outside of a very narrow set of parameters driven mostly by, interestingly enough, the marketing industry.

Maybe if we could get the marketing industry to normalize nonbinary gender, then we wouldn’t have laws that force someone (who just needs to pee) into a situation where (s)he is quite so likely to encounter violence just for existing. Maybe we could create a culture where someone doesn’t have to carry these cards around in his pockets to try to defuse the situation that is sure to arise.

trans-charlie-comero-Fb-edit

The silver lining to all this just may be that it seems to have opened up a new conversation about trans issues. Maybe, just as Amendment One did, it will help raise enough awareness to tip the balance of public opinion. That’s the best possible outcome I can think of. But until this situation is solved and trans folk can safely use the bathroom that corresponds to their gender identity, the bathroom in my office is open to anyone who needs it. It’s the least I can do.

all-gender-restroom-edit

Fifty Shades of Grey, and Eroticism in Film and Literature

by Ann Millett-Gallant

Fifty_Shades_of_Grey

Over Winter break, I had a lot of free time to read. I decided to try Fifty Shades of Grey (E.L. James, 2012), because I was curious about it, and because the movie version was coming out on Valentine’s Day weekend. I remember the fervor the book caused when it was released. Many television shows and magazine articles discussed what a sensation the book was, particularly for many passionate and eager female fans. It was considered shocking, not just because of its content, but also because it seemed to have the power to release women from any chastity belts they might be forced to wear by their own shame or society’s standards for “appropriate” behavior and desires. While reading the book, I was, shall we say, underwhelmed. I was more than just not excited, I was somewhat repulsed by it, and not because it was graphic or shocking, but because it seemed so cliché. In early January, I posted the following Facebook status update in response:

I just finished reading 50 Shades of Grey, and it was ridiculous. A 22 year old, white bread virgin is attracted to a dashing, powerful billionaire, who was starving and abused as a child and, as an adult, only participates in short term, S&M relationships. She allows him to deflower and dominate her, and he releases his inner demons, falls in love with her, and calls her his girlfriend. It’s such horse shit!

fsog-outtake

This was my off the cuff response. I was not turned on by the veiled violence, nor by scenes in which Christian forces his virginal concubine to eat in order to “keep up her strength,” despite what might have turned on many women. Was this the portrayal of a passionate relationship for women? And if so, who are these wanton “women” who love the book?

I was not alone in my reaction. In a “Frank and open discussion” by Laci Green, whose YouTube broadcast series “Naked Nation” is supported in part by Planned Parenthood, Green purports BDSM (a form of S&M, which she says is popular today, in part, because of book, Fifty Shades), as a new, liberating, and pleasurable form of sexual play:

However, in a later broadcast devoted to her analysis of the book Fifty Shades, Green says it does a “poor job of portraying BDSM,” and is indeed not only clichéd, but also abusive. She raises the notions of sexual consent and sexual violence, considering that Christian makes Ana, an inexperienced virgin, sign a contract about their liaison before she evens sees his “Red Room” of bondage equipment:

Green’s accusation that Fifty Shades glorifies sexual abuse places the book, and the film, in a dark context. Even if the book wasn’t exactly sinister, it’s poorly written, and bondage and dominance just don’t turn me on. I began to think about other novels or movies that have created comparable reactions among their audiences, and their points of comparison to Fifty Shades.

the-awakening-smFirst, I picked up The Awakening, an 1899 novel by the trailblazing feminist, Kate Chopin, which was considered quite scandalous in its day. I loved it! The writing style has been compared to Impressionism, and the novel is very visual and sensual in its detail. The title captured my immediate attention. I had the idea that it might be a sexual awakening, and it was, but it was more. The heroine, Edna, escapes her family, domestic life, and responsibilities. She has a few extra-marital affairs, but does not end up in a new relationship. Instead, she begins making art and discovers her own subjectivity and embodied perspective. In the end of the novel, she dramatically dives into the ocean and swims away, a conclusion that has been read as a suicide, but I read it more abstractly. In her dive, as in her adventures in the book, she discovers true freedom. There are a many scenes with water running throughout the book, including themes of swimming. As a child, Edna loved and then feared swimming, because she associated it with an unwantednot to mention criminalsexual advance by one of her father’s peers. In the book, part of her awakening involves her relearning and re-enjoying swimming again, as an adult. Water entails, and in the book symbolizes, diverse acts such as floating, drowning, and swimming. When Edna swims, she also floats, as she experiences a freedom in and an escape from the socialized world; she doesn’t see, hear, or feel the world above the water. She is figuratively and literally immersed in her own senses. Swimming causes a feeling of weightlessness, but when swimming, Edna propels herselfa physical act, a form of exercise, and also a forceful movement. I don’t think she drowns at all, but rather, she escapes. Immersing one’s self in water, wherein one is subsumed in one’s own sensory environment, specifically free from external stimuli, could also be a metaphor for masturbationperhaps the ultimate act for of self stimulation and self gratification.

9-and-a-half-weeks-blindfold

Stimulated by my interpretations (pun intended), I then wanted to explore other literary and film examples that were considered shocking for their time periods. I remember, as a young girl, the sensation that arose surrounding the film Nine and a Half Weeks (1986, dir. Adrian Lyne). Watching it as an adult, I was blown away by the beauty of the film. It had striking visual detail and was rich in color, texture, and atmosphere. In one of my favorite scenes, the male lead, John (Mickey Rourke) “feeds” the female protagonist, Elizabeth (Kim Basinger), by blindfolding her and offering samples of foods that vary in texture and flavorcherries, jalapeño pepper, milk. The camera creates a multi-sensual encounter, as Elizabeth experiences the food and the sensuality of the offerings. To commence the scene, John squirts sweet, sticky honey in her mouth (suggestive, perhaps, of semen) and then on her body, as he lays her down, kisses, and embraces her. Light floods the darkened set design, as the viewer experiences their own senses being overwhelmed. Another scene features Elizabeth, who works in an art gallery, masturbating as slides of provocative art works flash on the screen. She moves in harmony to the changing of the slides, which becomes more rapid as she sits on the remote and eventually climaxes. Throughout the film, visual art interacts with erotic life. “Nine and a Half Weeks” was released in 1986, when I was 11 years old. I didn’t see the film at the time, because of my age, and I was happy to rediscover what I now consider a classic.

9-and-a-half-weeks-a-memoir-of-a-love-affairThe film is based on Australian writer Elizabeth McNeill’s Nine and a Half Weeks: A Memoir of a Love Affair (1978). The book is a diary, with first person narration, incomplete sentences, visual and narrative impressions, and a chain of consciousness writing style. This memoir is more graphically violent than its film version. In one entry, McNeill writes: “The nights were palpable and fierce, razors, outlines so clearly as to be luminous. A different country, its landscape and currency plain: heat, fear, cold, pleasure, hunger, glut, pain, desire, overwhelming consciousness” (42). This quote demonstrates the erotic and violent actions in the book, as well as writing style I described above. Upon reading this passage, I felt simultaneous intrigue and revulsion to the brutality. During moments of the violence inflicted upon her, Elizabeth, the real woman, conflictingly feels simultaneous pain and desire. She ultimately writes of feeling disembodied, as if she experiences her sensations virtually. The 1986 film is indeed almost a watered-down version of the explicit diary. The memoir is beautifully, indeed poetically written and much more philosophical and psychological than the film.

I then turned to what was one of my favorite movies of my hormone-infused teenage years, The Unbearable Lightness of Being (1988, dir. Philip Kaufman). Based on the novel by Milan Kundera (1984), the film centers on the relationship between a heterosexual couple, as well as the man’s many sexual conquests, and is set during the 1968 occupation of the Czech Republic (wiki).

unbearable-afterglow

The narrative follows an attractive, introverted, and womanizing (not unlike Christian Grey) surgeon named Tomáš (Daniel Day Lewis), and his conflicted relations with the woman who becomes his wife and proves to be his “true love,” Tereza (Juliette Binoche), as well as his many lovers, most prominently, the self-possessed artist, Sabina (Lena Olin). The novel and film are set in an artistic and intellectual class in Prague, which in 1968 was invaded by the Soviet Union. With her rosy cheeks and pageboy haircut, Tereza is childlike in the film, as she is in the novel. She matures through her relationship with Tomas and her discovery of her own perspective, similarly to The Awakening, yet, in this film, it is behind the camera lens. The film includes scenes (shot in black and white) that capture the confusion and violence of the 1986 invasion of Prague on the streets, with dramatic movements and angles.

unbearable-street-tank

Compared with the book, the film is not as detailed about the results of the invasion and following Soviet occupation; for example, on p. 67 of the book, Kundera graphically describes specific murders and deportations. In both the book and the film, Tereza photographs the atrocities on the streets, commencing her photography passion and career with street photography, which is similar to the work we discuss in the Documentary unit of BLS 345: Photography: Contexts and Illusions. Street photography crosses the boundaries or genres of photography as art and as historical document. Tereza’s street photographs get published and lead to work in commercial photography, although she is seduced more by the idea of art photography and explores the genre by photographing Tomas’s lover, Sabina. In a Communist era of Social Realism, Sabina does defiant abstract art, or “drip painting” like Jackson Polluck (63). I do especially appreciate the images of Sabina’s artwork in the film, consisting of erotic photographs and body images cut from mirrors.

unbearable-tereza-sabina-scene

Although the book and the film are both artistic, the book is decidedly more psychological and philosophical, similarly to the book Nine and a Half Weeks. Kundera’s novel is also more political. On pages 213-214, Kundera narrates Tomas’ political acts, such as writing leftist editorials for papers, which leads him to be asked to sign a document protesting the treatment of Czech political prisoners. The novel is not in first person narration like Nine and a Half Weeks, but the narrative point of view is not completely omniscient either. Rather, Kundera’s narrator is poetic and like a storyteller, telling the narrative as if he or she know the characters personally and can see literally into their lives, as well as their consciousnesses. Interestingly, I learned from Wikipedia that Kundera disliked the film so much that he has resolved never again to have one of his novels made into a film. Reading the book encouraged me to check some more of Kundera’s books from the library.

blue-is-the-warmest-color

The final example I was overjoyed to discover was another film with a literally graphic basis, the 2013 French film Blue is the Warmest Color (2013, dir. Abdellatif Kechiche),which is based on a graphic novel by Julie Maroh. In both the film and the book, a somewhat naïve and self-abdicating young woman, Adele (Adèle Exarchopoulos), searches for her sexuality and subjectivity in a world she finds repressive, specifically to young, heterosexual women. One day, she spots and subsequently seeks out a striking, young, somewhat tomboyish and seemingly lesbian woman, Emma, (Léa Seydoux) with dashing blue hair. The graphic novel composes mostly black and white images with striking hints of bluein the forms of Emma’s hair, as well as the protagonists’ diary. Again, a diary communicates the embodied perspective of its narrator. The two women become zealous lovers, and lengthy, strikingly dynamic scenes depict their passion-filled lovemaking, in both the film and the book. The graphic novel was inspired by The Life of Marianne, an eighteenth-century, French, erotic graphic novel.

bitwc-face-hair

In contemplating the symbolic significances of blue, I thought about its association with masculinity, or at least the gender of a male baby, similarly to how pink represents femininity. One of the readings in my course BLS 345: The Art of Life, Rebecca Solnit’s  poetic and philosophical A Field Guide to Getting Lost (2006) came to mind. In this manuscript, every other chapter is titled “The Blue of Distance,” and blue, throughout the text, is the color of desire. Solnit meditates on how blue is more intense in the distance, in art (with the examples of landscape paintings, Yves Klein’s artwork, and many more) and in life (with the examples, among others, of road trips). For Solnit, distance increases desirability, reiterating how unrequited love may be most fervent and how absence makes the heart grow fonder.

blue-is-the-warmest-color_panel

Throughout the book and the film Blue is the Warmest Color, Emma’s hair gets less and less blue. It finally transforms back to its natural color, the pair split up, and Adela must find herself outside her role as Emma’s muse. In the graphic novel, the main character dies. Again, death! In The Awakening, Edna supposedly drowns, and in The Unbearable Lightness of Being, Tomas and Tereza have a suspicious “car accident,” which the book relates to their political leanings. Going back to my analysis of Edna’s “death” as an orgasm, in literary theory, an orgasm is referred to as “the little death.” For a more detailed analysis of this metaphor, see the Wikipedia entry “La petite mort.

9-and-a-Half-Weeks-slide-O2

More broadly than in its many literary associations, the notion of an orgasm as a “little death” can refer to a spiritual release, a short period of melancholy or transcendence, and a natural “high” in the anatomical release of the feel good hormone oxytocin that occurs after orgasm. The not so “little” deaths in these films may then be over-signified, or over-stimulating with their multiple meanings and associations.

This blog has itself become overwhelmed with stimulating references! Now, back to Fifty Shades

50-shades-today

On Feb 6, NBC’s The Today Show broadcast live from the New York City premiere of the film at Ziegfeld Theater. As the camera scanned the screaming and cheering crowd, I searched for even one man amidst the group. All I saw were enthusiastic and, indeed, excited women. Newscaster Carson Daly said there were 98 women in attendance; Daly and the star of the film, Jamie Dornin, were the only men. The episode also featured an interview with Dornin and his co-star, Dakota Johnson, by newscasters Matt Lauer and Savannah Guthrie, in which Johnson said she strategically played Anastasia as a woman of strength and self-worth.

On Feb. 12, Ellen Degeneres aired a clever spoof of the interviewa clip that her crew had edited and that featured anchor Matt Lauer bearing a harness and whip:

today-50-shades-of-grey

Ellen’s spoof was the beginning of the themes of satire that were raised in news sources about the film. The website Rotten Tomatoes says the film is too tame in comparison with the book. In agreement, Time asks “Where’s the whiplash?” Durham’s Independent newspaper expresses disappointment in the film’s “bad erotica.”

In a video posted on the website of the Pulitzer Prize-winning British journal, The Guardian, film critics discuss the absurdity, and even satirical humor of the, what one critic calls “soft core porn,” that he says seems like “the S&M had been directed by Martha Stewart.” These highbrow, somewhat stuffy critics state that the film never had a chance and they “couldn’t take it seriously” because it was based on a poorly written, trashy novel.

50-shades-lip

Reading through this summary of diverse reviews on this CNN.com, some of which are positive, made me want to see the film more. Further, similarly to how she discussed her role as Ana in her appearance on the Today show, Johnson has affirmed in numerous interviews that she chose the role specifically because it intimidated her and because she believes that women who own and direct their own self-crafted sexual experiences and sexual identities are definitively empowered. But I wondered, is Ana empowered in book? I would say, no. How will she be different in the film?

Fifty Shades of Grey opened where I live in Durham the Friday before Valentine’s Day, and I could not see it then because my husband and I had big plans: we had to take our 20 pound orange tabby cat, Sunny (aka “The orange beast”), to the vet and my husband’s new Fiat needed additional computer programming at its dealership in Cary. I thought I had missed the perfect opportunity to see the film and witness its already ardent fans, but after reading reviews, I thought perhaps the optimal time to see it would be on April Fool’s Day. Many others did see it the opening weekend; the film broke records for Valentine’s Day and President’s Day releases.

50-shades-of-grey

I finally saw it two weeks after it opened. In general, it was not a good movie. The sets, costumes, and dialogue were nothing special and even silly. The character of Ana is girlish and mousy; her big blue eyes, which first capture Christian’s attention, are framed by unevenly cut bangs and hair that escapes from a messy ponytail. She does talk back to Christian in a Lolita-like manner, but I would hardly call her an empowered character. In the first meeting with Christian, she wears an old fashioned, flowered blouse and a matching cardigan and skirt set. Throughout the film, she dons dresses and outfits that are too short and too young for her, as if she shops in the junior’s department at the stores. She is somewhat childlike, similar to the immature Tereza in The Unbearable Lightness of Being. Ana’s adolescent body, with a sprinkling of fair pubic hair, is often on display in the film, while Christian’s body is strategically concealed; in one scene, he unbuttons his fly, and the viewer sees a hint of blond pubic hair, but otherwise, only his unclothed backside is shown. In contrast to Ana, Christian wears signature, stone colored suits and one of his fifty ties, all of which, of course, are shades of grey. Christian is good-looking, with a strong face and muscles, but he is hardly suave or debonair. Rather than looking like a millionaire entrepreneur and Casanova, he resembles an attractive college athlete. Christian lives in an austere apartment, similar to his clothing and to the steely residence of John in Nine and a Half Weeks. In one scene, Christian tempts Ana with an ice cube down her naked torso, an act like that of John and Elizabeth, but the former is much less sensual than the latter, for the viewer, and seemingly, for the female subjugate.

50-shades-virginity-scene

Forty-five minutes into Fifty Shades, Christian and Ana “consummate” their agreement, and Ana is “de-virginized” (or deflowered, as I strategically called it above), in an intimate scene that involves kissing, touching, and, assumedly, at least two orgasms. I am hardly an expert, but I would say that when a woman loses her virginity, the experience is usually more awkward and potentially painful, rather than sexy and pleasurable; however I have never heard of a woman having had her first time with anyone experienced. Let’s just say, the scene is, at best, idealized. Unlike in the book Fifty Shades, the couple in the film are paired intimately quite often, embracing and even bathing together, and Ana has met many members of the Grey family before Christian even introduces the contract and the red room to her (the only room in his apartment that displays any color). The first scene in which the couple performs in the red room is almost one and a half hours into the two hour film and shows Christian “whipping” (or should I say, “tapping”) Ana with a tassel-like “whip.” This action causes a light snapping sound and leaves no wounds on Ana’s skin. It is hardly terrifying. At the end of the film, when Ana challenges Christian to give her the full treatment, or to do the most brutal thing he would ever do to her, he again whips her, this time with a fashionable leather belt. The sounds are more convincing and remind me of the whipping scenes of Twelve Years a Slave, (2013, dir. Steve McQueen), but again, they leave no marks on Ana’s perfectly white, pristine back. The couple parts in the end, and as Ana exits his apartment by elevator, there is an emphasized lack of closure, or a cliffhanger, enticing viewers to seek out the sequel.

50-shades-riding-crop

Again, I was amused, but underwhelmed. I don’t think I’ll bother to read either of the other Fifty Shades books in the trilogy, nor will I waste my time following the film series. I am, however, very much looking forward this summer’s release of Magic Mike XXL (the satirically titled Magic Mike 2), which will feature more antics of an ostentatious, performing, and chiseled brigade of leading men, performing for and in service to clowning and lascivious female fans. This film will be much more my speed.

magic-mike

Freedom of Speech in the Classroom

by Steve O’Boyle

I'm Feeling Lucky!

I’m Feeling Lucky!

At no other time in history have people had access to more information than in the current era. Within seconds we can become pseudo-experts on most any topic, from Satanism to Zen, from the Kama Sutra to Lollapalooza and or even an upbeat biopic of Leonard Cohen (say it like co-en, then it works). This is not news to you (or at least I hope it’s not), but it is an important yet puzzling piece to recent controversies concerning freedom of speech in the classroom.

In the past year, there have been several incidents where university professors have been sanctioned for the words that they used in their classrooms while attempting to explain academic ideas. One incident that made national headlines involved a highly regarded sociologist named Patti Adler, a full Professor at the University of Colorado.

Patti Adler.

Dr. Patti Adler.

In her intro-level Deviance in U.S. Society class, Dr. Adler spiced up her lecture on prostitution with “a skit in which many of Adler’s teaching assistants dress[ed] up as various types of prostitutes. The teaching assistants portrayed prostitutes ranging from sex slaves to escorts, and described their lifestyles and what led them to become prostitutes” (DailyCamera).

Adler is described in the article as having an unorthodox and engaging teaching style. “Students recounted how Adler showed up in class in a bikini to illustrate deviance or dressed as a homeless person to make the same point.” However, the prostitution lecture got—well, some negative attention—and at the time the article went to press, it looked like Dr. Adler was at risk of being forced into early retirement over the controversy. She was in jeopardy of losing her job for trying to teach her students in a way that was engaging, entertaining, and most of all, memorable. That is to say, for trying to do her job.

Prostitution skit in Adler's class.

Prostitution skit in Adler’s Deviance class.

I do realize that some of you may not think this is a big deal, but as someone who teaches sociology at UNCG—a discipline that includes an entire area devoted to social deviance—well, as my old not-very-good mechanic used to say about my POS Jeep, “Man, this is troublematic…”

So if we offend a student in class—not directly of course, but by making them feel uncomfortable while trying to teach them important ideas—we might be severely sanctioned for this? Knowledge that is controversial, and can take a student out of their comfort zone, is off limits?

Do I have your attention yet?

Do I have your attention yet?

Students are now exposed to more controversial envelope-pushing cultural ideas and images than ever before, and at much younger ages (scholars call this phenomenon “the internet”). So I find it a bit perplexing that these kids—who could never understand a teenager’s absolute thrill of finding their parents’ porno mags in the sock drawer, but (or perhaps because) they can now google any sex act and have a “how-to” video before their eyes in seconds (and long before their first real date)—these students are so much more savvy than I ever was at their age, but now I have to watch what I say more than ever in the classroom?!

And to complicate things further, because of the limitless access they have grown up with (and the seconds-long attention span that accompanies it), it takes more effort than ever to keep the attention of these Millenials without grabbing their attention—with ideas and language that wakes them the #@%$ up, and stops them from just sitting there in class half asleep, hoping whoever they’re trying to hook up with will respond to their inane text with a “k”…

"wnt 2 hookup l8r?"

“n class. bored. wnt 2 hookup l8r?”

So what to do? I’m going to follow the advice university counsel Skip Capone gave a few years back, after some legal challenges at other institutions—some of them blatantly political (here’s a link to the slide show, which is clearly dated).

My CYA strategy? Define germane to the class, then when comes the time to talk about the touchy stuff, refer them back to that term. Then show them the link from the controversial stuff (i.e., the fun stuff), directly to how it relates—or is germane—to the academic topic. Finally, address the class with “so do you see the connection here?” When they say “yes,” you’re covered.